tying him there with coil after coil of the cord. So anxious was he to
make everything secure, that he somewhat overdid the business, making
the two seem like seated mummies swathed in cord. The chairs he
fastened immovably to the floor, then he stood back and gazed with a
sigh at the two grim seated figures, with their heads drooping
helplessly forward on their corded breasts, looking like silent
effigies of the dead.

Mopping his perspiring brow, Adolph now turned his attention to the
machine that had startled him so when he first came in. He examined
minutely its mechanism to see that everything was right. Going to the
cupboard, he took up a false bottom and lifted carefully out a number
of dynamite cartridges that the two sleepers had stolen from a French
mine. These he arranged in a battery, tying them together. He raised
the hammer of the machine, and set the hand so that the blow would fall
in sixty minutes after the machinery was set in motion. The whole
deadly combination he placed on a small table, which he shoved close in
front of the two sleeping men. This done, he sat down on a chair
patiently to await the awakening. The room was situated at the back of
the house, and was almost painfully still, not a sound from the street
penetrating to it. The candle burnt low, guttered and went out, but
Adolph sat there and did not light another. The room was still only
half in darkness, for the moon shone brightly in at the window,
reminding Adolph that it was just a month since he had looked out on a
moonlit street in Paris, while his brother lay murdered in the room
below. The hours dragged along, and Adolph sat as immovable as the two
figures before him. The square of moonlight, slowly moving, at last
illuminated the seated form of Picard, imperceptibly climbing up, as
the moon sank, until it touched his face. He threw his head first to
one side, then back, yawned, drew a deep breath, and tried to struggle.