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The Face and the Mask by Robert Barr
page 144 of 280 (51%)
been accustomed to repress expression rather than to show emotion of
any kind. A casual look at Pony Rowell made you think his face would
tell you something; a closer scrutiny showed you that it would tell you
nothing. His eyes were of a piercing steely gray that seemed to read
the thoughts of others, while they effectually concealed his own. Pony
Rowell was known as a man who never went back on his word. He was a
professional gambler.

On this particular evening he strolled up the avenue with the easy
carriage of a man of infinite leisure. He hesitated for a moment at an
illy-lighted passage-way in the middle of a large building on a side
street, then went in and mounted a stair. He rapped lightly at a door.
A slide was shoved back and a man inside peered out at him for a
moment. Instantly the door was opened, for Pony's face was good for
admittance at any of the gambling rooms in the city. There was still
another guarded door to pass, for an honest gambling-house keeper can
never tell what streak of sudden morality may strike the police, and it
is well to have a few moments' time in which to conceal the
paraphernalia of the business. Of course, Mellish's gambling rooms were
as well known to the police as to Pony Rowell, but unless some fuss was
made by the public, Mellish knew he would be free from molestation.

Mellish was a careful man, and a visitor had to be well vouched for,
before he gained admission. There never was any trouble in Mellish's
rooms. He was often known to advise a player to quit when he knew the
young gambler could not afford to lose, and instances were cited where
he had been the banker of some man in despair. Everybody liked Mellish,
for his generosity was unbounded, and he told a good story well.

Inside the room that Pony Rowell had penetrated, a roulette table was
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