the pretence of distress in a pantomime being so broadly humorous
as to be no pretence at all. Much as in the comic fiction I can
understand the mother with a very vulnerable baby at home, greatly
relishing the invulnerable baby on the stage, so in the Cremorne
reality I can understand the mason who is always liable to fall off
a scaffold in his working jacket and to be carried to the hospital,
having an infinite admiration of the radiant personage in spangles
who goes into the clouds upon a bull, or upside down, and who, he
takes it for granted - not reflecting upon the thing - has, by
uncommon skill and dexterity, conquered such mischances as those to
which he and his acquaintance are continually exposed.

I wish the Morgue in Paris would not come here as I lie awake, with
its ghastly beds, and the swollen saturated clothes hanging up, and
the water dripping, dripping all day long, upon that other swollen
saturated something in the corner, like a heap of crushed over-ripe
figs that I have seen in Italy! And this detestable Morgue comes
back again at the head of a procession of forgotten ghost stories.
This will never do. I must think of something else as I lie awake;
or, like that sagacious animal in the United States who recognised
the colonel who was such a dead shot, I am a gone 'Coon. What
shall I think of? The late brutal assaults. Very good subject.
The late brutal assaults.

(Though whether, supposing I should see, here before me as I lie
awake, the awful phantom described in one of those ghost stories,
who, with a head-dress of shroud, was always seen looking in
through a certain glass door at a certain dead hour - whether, in
such a case it would be the least consolation to me to know on
philosophical grounds that it was merely my imagination, is a