service, opened the door and apologised for the delay by saying that he
had been attending to his master's legs. Immediately afterwards he
announced the visitor, and the latter, after passing through a dim and
narrow ante-room, was lost in amazement on finding himself in a
relatively small chamber, extremely bare and bright, with wall-paper of a
light hue studded with tiny blue flowers. Behind a screen was an iron
bedstead, the soldier's pallet, and there was no other furniture than the
arm-chair in which the cripple spent his days, with a table of black wood
placed near him, and covered with books and papers, and two old
straw-seated chairs which served for the accommodation of the infrequent
visitors. A few planks, fixed to one of the walls, did duty as
book-shelves. However, the broad, clear, curtainless window overlooked
the most admirable panorama of Rome that could be desired.

Then the room disappeared from before Pierre's eyes, and with a sudden
shock of deep emotion he only beheld old Orlando, the old blanched lion,
still superb, broad, and tall. A forest of white hair crowned his
powerful head, with its thick mouth, fleshy broken nose, and large,
sparkling, black eyes. A long white beard streamed down with the vigour
of youth, curling like that of an ancient god. By that leonine muzzle one
divined what great passions had growled within; but all, carnal and
intellectual alike, had erupted in patriotism, in wild bravery, and
riotous love of independence. And the old stricken hero, his torso still
erect, was fixed there on his straw-seated arm-chair, with lifeless legs
buried beneath a black wrapper. Alone did his arms and hands live, and
his face beam with strength and intelligence.

Orlando turned towards his servant, and gently said to him: "You can go
away, Batista. Come back in a couple of hours." Then, looking Pierre full
in the face, he exclaimed in a voice which was still sonorous despite his