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The Three Cities Trilogy: Rome, Volume 2 by Émile Zola
page 40 of 137 (29%)
that the man of birth who missed the Corso was like one out of his
element, destitute of newspapers, living like a savage. And withal the
atmosphere was delightfully balmy, and the narrow strip of sky between
the heavy, rusty mansions displayed an infinite azure purity.

Dario never ceased smiling, and slightly inclining his head while he
repeated to Pierre the names of princes and princesses, dukes and
duchesses--high-sounding names whose flourish had filled history, whose
sonorous syllables conjured up the shock of armour on the battlefield and
the splendour of papal pomp with robes of purple, tiaras of gold, and
sacred vestments sparkling with precious stones. And as Pierre listened
and looked he was pained to see merely some corpulent ladies or
undersized gentlemen, bloated or shrunken beings, whose ill-looks seemed
to be increased by their modern attire. However, a few pretty women went
by, particularly some young, silent girls with large, clear eyes. And
just as Dario had pointed out the Palazzo Buongiovanni, a huge
seventeenth-century facade, with windows encompassed by foliaged
ornamentation deplorably heavy in style, he added gaily:

"Ah! look--that's Attilio there on the footway. Young Lieutenant
Sacco--you know, don't you?"

Pierre signed that he understood. Standing there in uniform, Attilio, so
young, so energetic and brave of appearance, with a frank countenance
softly illumined by blue eyes like his mother's, at once pleased the
priest. He seemed indeed the very personification of youth and love, with
all their enthusiastic, disinterested hope in the future.

"You'll see by and by, when we pass the palace again," said Dario. "He'll
still be there and I'll show you something."
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