passion for the vanished centuries was sorely hurt: "Look, look at it
all!" he exclaimed. "To think of it, in the city of Augustus, the city of
Leo X, the city of eternal power and eternal beauty!"

Pierre himself was thunderstruck. The meadows of the Castle of Sant'
Angelo, dotted with a few poplar trees, had here formerly stretched
alongside the Tiber as far as the first slopes of Monte Mario, thus
supplying, to the satisfaction of artists, a foreground or greenery to
the Borgo and the dome of St. Peter's. But now, amidst the white,
leprous, overturned plain, there stood a town of huge, massive houses,
cubes of stone-work, invariably the same, with broad streets intersecting
one another at right angles. From end to end similar facades appeared,
suggesting series of convents, barracks, or hospitals. Extraordinary and
painful was the impression produced by this town so suddenly immobilised
whilst in course of erection. It was as if on some accursed morning a
wicked magician had with one touch of his wand stopped the works and
emptied the noisy stone-yards, leaving the buildings in mournful
abandonment. Here on one side the soil had been banked up; there deep
pits dug for foundations had remained gaping, overrun with weeds. There
were houses whose halls scarcely rose above the level of the soil; others
which had been raised to a second or third floor; others, again, which
had been carried as high as was intended, and even roofed in, suggesting
skeletons or empty cages. Then there were houses finished excepting that
their walls had not been plastered, others which had been left without
window frames, shutters, or doors; others, again, which had their doors
and shutters, but were nailed up like coffins with not a soul inside
them; and yet others which were partly, and in a few cases fully,
inhabited--animated by the most unexpected of populations. And no words
could describe the fearful mournfulness of that City of the Sleeping
Beauty, hushed into mortal slumber before it had even lived, lying