order to obtain a better view of the ruined aqueduct among the parasol
pines.

Prada, who shuddered as if he himself were the culprit, answered him with
a lie, a lie which he did not premeditate, but to which he was impelled
by a sort of instinct. "But she's dead," he said. . . . "Just fancy,
there was a fight. At the moment when I got here that other hen, which
you see yonder, sprang upon this one to get the fig, which she was still
holding, and with a thrust of the beak split her head open. . . . The
blood's flowing, as you can see yourself."

Why did he say these things? He himself was astonished at them whilst he
went on inventing them. Was it then that he wished to remain master of
the situation, keep the abominable secret entirely to himself, in order
that he might afterwards act in accordance with his own desires?
Certainly his feelings partook of shame and embarrassment in presence of
that foreigner, whilst his personal inclination for violence set some
admiration amidst the revolt of his conscience, and a covert desire arose
within him to examine the matter from the standpoint of his interests
before he came to a decision. But, on the other hand, he claimed to be a
man of integrity, and would assuredly not allow people to be poisoned.

Pierre, who was compassionately inclined towards all creation, looked at
the hen with the emotion which he always felt at the sudden severance of
life. However, he at once accepted Prada's story. "Ah! those fowls!" said
he. "They treat one another with an idiotic ferocity which even men can
scarcely equal. I kept fowls at home at one time, and one of the hens no
sooner hurt her leg than all the others, on seeing the blood oozing,
would flock round and peck at the limb till they stripped it to the
bone."