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The Three Cities Trilogy: Rome, Volume 4 by Émile Zola
page 108 of 201 (53%)
the road look like a ribbon of snow stretching across the Campagna, where
delicate shadows were slowly falling. Gloom gathered in the hollows of
the broad undulations whence a tide of violet hue seemed to spread over
the short herbage until all mingled and the expanse became an indistinct
swell of neutral hue from one to the other horizon. And the solitude was
now yet more complete; a last indolent cart had gone by and a last
tinkling of horses' bells had subsided in the distance. There was no
longer a passer-by, no longer a beast of the fields to be seen, colour
and sound died away, all forms of life sank into slumber, into the serene
stillness of nihility. Some fragments of an aqueduct were still to be
seen at intervals on the right hand, where they looked like portions of
gigantic millepeds severed by the scythe of time; next, on the left, came
another tower, whose dark and ruined pile barred the sky as with a huge
black stake; and then the remains of another aqueduct spanned the road,
assuming yet greater dimensions against the sunset glow. Ah! that unique
hour, the hour of twilight in the Campagna, when all is blotted out and
simplified, the hour of bare immensity, of the infinite in its simplest
expression! There is nothing, nothing all around you, but the flat line
of the horizon with the one splotch of an isolated tower, and yet that
nothing is instinct with sovereign majesty.

However, on the left, towards the sea, the sun was setting, descending in
the limpid sky like a globe of fire of blinding redness. It slowly
plunged beneath the horizon, and the only sign of cloud was some fiery
vapour, as if indeed the distant sea had seethed at contact with that
royal and flaming visit. And directly the sun had disappeared the heavens
above it purpled and became a lake of blood, whilst the Campagna turned
to grey. At the far end of the fading plain there remained only that
purple lake whose brasier slowly died out behind the black arches of the
aqueduct, while in the opposite direction the scattered arches remained
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