take her place beside them as the little queen of the /fete/.

Narcisse was already slightly acquainted with Attilio, and so fresh
congratulations ensued. Then the two friends manoeuvred to find a spot
where they might momentarily tarry and contemplate the spectacle which
this first /salon/ presented. It was a vast hall, hung with green velvet
broidered with golden flowers, and contained a very remarkable collection
of weapons and armour, breast-plates, battle-axes, and swords, almost all
of which had belonged to the Buongiovannis of the fifteenth and sixteenth
centuries. And amidst those stern implements of war there was a lovely
sedan-chair of the last century, gilded and decorated with delicate
paintings. It was in this chair that the Prince's great-grandmother, the
celebrated Bettina, whose beauty was historical, had usually been carried
to mass. On the walls, moreover, there were numerous historical
paintings: battles, peace congresses, and royal receptions in which the
Buongiovannis had taken part, without counting the many family portraits,
tall and proud figures of sea-captains, commanders in the field, great
dignitaries of the Church, prelates and cardinals, amongst whom, in the
place of honour, appeared the family pope, the white-robed Buongiovanni
whose accession to the pontifical throne had enriched a long line of
descendants. And it was among those armours, near that coquettish sedan,
and below those antique portraits, that the Saccos, husband and wife, had
in their turn just halted, at a few steps from the master and mistress of
the house, in order to secure their share of congratulations and bows.

"Look over there!" Narcisse whispered to Pierre, "those are the Saccos in
front of us, that dark little fellow and the lady in mauve silk."

Pierre promptly recognised the bright face and pleasant smile of Stefana,
whom he had already met at old Orlando's. But he was more interested in