their surroundings.

Amidst the invading dimness and the quivering silence the ascent of the
stairs seemed interminable to Pierre, who by the time he reached the
second-floor landing imagined that he had been climbing for ages. There,
outside the glass door of the Sala Clementina, only the right-hand half
of which was open, a last Swiss Guard stood watching.

"Signor Squadra," Pierre said again, and the Guard drew back to let him
pass.

The Sala Clementina, spacious enough by daylight, seemed immense at that
nocturnal hour, in the twilight glimmer of its lamps. All the opulent
decorative-work, sculpture, painting, and gilding became blended, the
walls assuming a tawny vagueness amidst which appeared bright patches
like the sparkle of precious stones. There was not an article of
furniture, nothing but the endless pavement stretching away into the
semi-darkness. At last, however, near a door at the far end Pierre espied
some men dozing on a bench. They were three Swiss Guards. "Signor
Squadra," he said to them.

One of the Guards thereupon slowly rose and left the hall, and Pierre
understood that he was to wait. He did not dare to move, disturbed as he
was by the sound of his own footsteps on the paved floor, so he contented
himself with gazing around and picturing the crowds which at times
peopled that vast apartment, the first of the many papal ante-chambers.
But before long the Guard returned, and behind him, on the threshold of
the adjoining room, appeared a man of forty or thereabouts, who was clad
in black from head to foot and suggested a cross between a butler and a
beadle. He had a good-looking, clean-shaven face, with somewhat