take his hat from the pier table, he himself discreetly fetched it and
handed it to the young priest with a silent bow. Then without any
appearance of haste, he walked ahead to conduct the visitor back to the
Sala Clementina. The endless promenade through the interminable
ante-rooms began once more, and there was still not a soul, not a sound,
not a breath. In each empty room stood the one solitary lamp, burning low
amidst a yet deeper silence than before. The wilderness seemed also to
have grown larger as the night advanced, casting its gloom over the few
articles of furniture scattered under the lofty gilded ceilings, the
thrones, the stools, the pier tables, the crucifixes, and the candelabra
which recurred in each succeeding room. And at last the Sala Clementina
which the Swiss Guards had just quitted was reached again, and Signor
Squadra, who hitherto had not turned his head, thereupon drew aside
without word or gesture, and, saluting Pierre with a last bow, allowed
him to pass on. Then he himself disappeared.

And Pierre descended the two flights of the monumental staircase where
the gas jets in their globes of ground glass glimmered like night lights
amidst a wondrously heavy silence now that the footsteps of the sentries
no longer resounded on the landings. And he crossed the Court of St.
Damasus, empty and lifeless in the pale light of the lamps above the
steps, and descended the Scala Pia, that other great stairway as dim,
deserted, and void of life as all the rest, and at last passed beyond the
bronze door which a porter slowly shut behind him. And with what a
rumble, what a fierce roar did the hard metal close upon all that was
within; all the accumulated darkness and silence; the dead, motionless
centuries perpetuated by tradition; the indestructible idols, the dogmas,
bound round for preservation like mummies; every chain which may weigh on
one or hamper one, the whole apparatus of bondage and sovereign
domination, with whose formidable clang all the dark, deserted halls