because the antique chapel on the ground floor of the palazzo had been
shut up for half a century and was in no condition to be used, whilst the
Cardinal's little private chapel was altogether too small for any such
ceremony. And thus it had been necessary to improvise an altar in the
throne-room, an altar at which masses had been said ever since dawn.
Masses and other religious services were moreover to be celebrated all
day long in the private chapel; and two additional altars had even been
set up, one in a small room adjoining the /anticamera nobile/ and the
other in a sort of alcove communicating with the second anteroom: and in
this wise priests, Franciscans, and members of other Orders bound by the
vow of poverty, would simultaneously and without intermission celebrate
the divine sacrifice on those four altars. The Cardinal, indeed, had
desired that the Divine Blood should flow without pause under his roof
for the redemption of those two dear souls which had flown away together.
And thus in that mourning mansion, through those funeral halls the bells
scarcely stopped tinkling for the elevation of the host, whilst the
quivering murmur of Latin words ever continued, and consecrated wafers
were continually broken and chalices drained, in such wise that the
Divine Presence could not for a moment quit the heavy atmosphere all
redolent of death.

On the other hand, however, Pierre, to his great astonishment, found the
throne-room much as it had been on the day of his first visit. The
curtains of the four large windows had not even been drawn, and the grey,
cold, subdued light of the gloomy winter morning freely entered. Under
the ceiling of carved and gilded wood-work there were the customary red
wall-hangings of /brocatelle/, worn away by long usage; and there was the
old throne with the arm-chair turned to the wall, uselessly waiting for a
visit from the Pope which would never more come. The principal changes in
the aspect of the room were that its seats and tables had been removed,