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The Dancing Mouse - A Study in Animal Behavior by Robert M. Yerkes
page 49 of 332 (14%)
albino dog which was deaf. This suggestion is not absurd, for it seems
quite probable that the dancer has to depend for the guidance of its
movements upon sense data which are relatively unimportant in the common
mouse, and that by its varied and restless movements it does in part make
up for its deficiency in sense equipment.

The dancing, waltzing, or circus course movement, as it is variously
known, varies in form from moment to moment. Now an individual moves its
head rapidly from side to side, perhaps backing a little at the same time,
now it spins around like a top with such speed that head and tail are
almost indistinguishable, now it runs in circles of from 5 cm. to 30 cm.
in diameter. If there are any objects in the cage about or through which
it may run, they are sure to direct the expression of activity. A tunnel
or a hole in a box calls forth endless repetitions of the act of passing
through. When two individuals are in the same cage, they frequently dance
together, sometimes moving in the same direction, sometimes in opposite
directions. Often, as one spins rapidly about a vertical axis, the other
runs around the first in small circles; or again, both may run in a small
circle in the same direction, so that their bodies form a living ring,
which, because of the rapidity of their movements, appears perfectly
continuous. The three most clearly distinguishable forms of dance are (1)
movement in circles with all the feet close together under the body, (2)
movement in circles, which vary in diameter from 5 cm. to 30 cm., with the
feet spread widely, and (3) movement now to the right, now to the left, in
figure eights ([Symbol: figure eight]). For convenience of reference
these types of dance may be called _whirling, circling_, and the _figure
eight dance_. Zoth, in an excellent account of the behavior of the dancer
(31 p. 156), describes "manege movements," "solo dances," and "centre
dances." Of these the first is whirling, the second one form of circling,
and the third the dancing of two individuals together in the manner
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