when, in 1627, he was settled at Hamburg, crediting him with having
first infused into his pupil a taste for classic literature and
poetry. Biographers have derived Milton's Presbyterianism in 1641 from
the lessons twenty years before of this Thomas Young, a Scotchman,
and one of the authors of the _Smectymnuus_. This, however, is a
misreading of Milton's mind--a mind which was an organic whole--"whose
seed was in itself," self-determined; not one whose opinions can be
accounted for by contagion or casual impact.

Of Milton's boyish exercises two have bean preserved. They are English
paraphrases of two of the Davidic Psalms, and were done at the age of
fifteen. That they were thought by himself worth printing in the same
volume with _Comus_, is the most noteworthy thing about them. No words
are so commonplace but that they can be made to yield inference by a
biographer. And even in these school exercises we think we can discern
that the future poet was already a diligent reader of Sylvester's _Du
Bartas_ (1605), the patriarch of Protestant poetry, and of Fairfax's
_Tasso_ (1600). There are other indications that, from very early
years, poetry had assumed a place in Milton's mind, not merely as a
juvenile pastime, but as an occupation of serious import.

Young Gill, son of the high master, a school-fellow of Milton, went
up to Trinity, Oxford, where he got into trouble by being informed
against by Chillingworth, who reported incautious political speeches
of Gill to his godfather, Laud. With Gill Milton corresponded; they
exchanged their verses, Greek, Latin, and English, with a confession
on Milton's part that he prefers English and Latin composition to
Greek; that to write Greek verses in this age is to sing to the deaf.
Gill, Milton finds "a severe critic of poetry, however disposed to be
lenient to his friend's attempts."