arrow out of the breast of Cock Robin, he proceeds to toast it on the
end of that cruel instrument. When it is brown, he dives again and
produces butter, with which he completes his work.

Mr Wegg, as an artful man who is sure of his supper by-and-bye, presses
muffin on his host to soothe him into a compliant state of mind, or, as
one might say, to grease his works. As the muffins disappear, little by
little, the black shelves and nooks and corners begin to appear, and Mr
Wegg gradually acquires an imperfect notion that over against him on the
chimney-piece is a Hindoo baby in a bottle, curved up with his big
head tucked under him, as he would instantly throw a summersault if the
bottle were large enough.

When he deems Mr Venus's wheels sufficiently lubricated, Mr Wegg
approaches his object by asking, as he lightly taps his hands together,
to express an undesigning frame of mind:

'And how have I been going on, this long time, Mr Venus?'

'Very bad,' says Mr Venus, uncompromisingly.

'What? Am I still at home?' asks Wegg, with an air of surprise.

'Always at home.'

This would seem to be secretly agreeable to Wegg, but he veils his
feelings, and observes, 'Strange. To what do you attribute it?'

'I don't know,' replies Venus, who is a haggard melancholy man, speaking
in a weak voice of querulous complaint, 'to what to attribute it, Mr