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Earthwork out of Tuscany - Being Impressions and Translations of Maurice Hewlett by Maurice Hewlett
page 21 of 142 (14%)
blue and white and green. They are Spring's colours. You need not go into
the Bargello to understand Luca and Andrea at their happy task; as well go
to a botanical museum to read the secret of April. See them on the dusty
wall of Orsammichele. They have wrought the blossom of the stone--clusters
of bright-eyed flowers with the throats and eyes of angels, singing, you
might say, a children's hymn to Our Lady, throned and pure in the midst of
the bevy. See the Spedale degli Innocenti, where a score of little flowery
white children grow, open-armed, out of their sky-blue medallions. Really,
are they lilies, or children, or the embodied strophes of a psalter? you
ask. I mix my metaphors like an Irishman, but you will see my meaning. All
the arts blend in art: "rien ne fait mieux entendre combien un faux sonnet
est ridicule que de s'imaginer une femme ou une maison faite sur ce
modele-la." Pascal knew; and so did Philip Sidney, "Nature never set forth
the earth in so rich tapestry as divers poets have done"; and the nearer
truth seems to be that Art is Nature made articulate, Nature's soul
inflamed with love and voicing her secrets through one man to many. So
there may be no difference between me and a cabbage-rose but this, that I
can consider my own flower, how it grows, or rather, when it is grown.

It is very pleasant sometimes to think that wistful guess of Plato's true
in spite of everything--that the state is the man grown great, as the
universe is the state grown Infinite. It explains that Florence has a
soul, the broader image of her sons', and that this soul speaks in Art,
utters itself in flower of stone and starry stretches of fresco (like that
serene blue and grey band in the Sistine chapel which redeems so many of
Rome's waste places), sings colour-songs (there are such affairs) on
church and cloister walls. Seeing these good things, we should rather hear
the town's voice crying out her fancy to friendly hearts. Thus--let me run
the figure to death--if Luca's blue-eyed medallions are the crop of the
wall, they are also the soul of Florence, singing a blithe secular song
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