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Earthwork out of Tuscany - Being Impressions and Translations of Maurice Hewlett by Maurice Hewlett
page 29 of 142 (20%)
highest art of all, the large elementary poetry in the core of the heart
of man? Just so was the craft which disposed the rings of that wonderful
ornament round about the Bardi chapel, rings of clean arabesque wrought in
line upon pale blue and pink and brown, and which in so doing fitted the
Franciscan thaumaturgy with an exact garment tenderly adjusted to every
wave of its abandonment--even so was this a great art indeed. For you ask
of an art no more than this, that it shall be adequately representative:
there are no comparative degrees.

So when I learn from the works of Ruskin that he can "read a picture to
you as, if Mr. Spurgeon knew anything about art, Mr. Spurgeon would read
it,--that is to say, from the plain, common-sense Protestant side"; or
when I learn from the works of Mr. George Moore that Sir Frederick Burton
made of the National Gallery a Museum; or when one complains of a picture
that it is not didactic, and another that it holds a thought, I make haste
to laugh lest I should do wrong to Tuscany, that looked upon the world to
love it: for she saw that it was very good.



III


A SACRIFICE AT PRATO

_(An Old-fashioned Narrative)_

[Footnote: Perhaps I may be allowed to explain that this article was
written from the standpoint of a cultivated Pagan of the Empire, who
should have journeyed in Time as well as Space.]
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