Earthwork out of Tuscany - Being Impressions and Translations of Maurice Hewlett by Maurice Hewlett
page 29 of 142 (20%)
page 29 of 142 (20%)
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highest art of all, the large elementary poetry in the core of the heart
of man? Just so was the craft which disposed the rings of that wonderful ornament round about the Bardi chapel, rings of clean arabesque wrought in line upon pale blue and pink and brown, and which in so doing fitted the Franciscan thaumaturgy with an exact garment tenderly adjusted to every wave of its abandonment--even so was this a great art indeed. For you ask of an art no more than this, that it shall be adequately representative: there are no comparative degrees. So when I learn from the works of Ruskin that he can "read a picture to you as, if Mr. Spurgeon knew anything about art, Mr. Spurgeon would read it,--that is to say, from the plain, common-sense Protestant side"; or when I learn from the works of Mr. George Moore that Sir Frederick Burton made of the National Gallery a Museum; or when one complains of a picture that it is not didactic, and another that it holds a thought, I make haste to laugh lest I should do wrong to Tuscany, that looked upon the world to love it: for she saw that it was very good. III A SACRIFICE AT PRATO _(An Old-fashioned Narrative)_ [Footnote: Perhaps I may be allowed to explain that this article was written from the standpoint of a cultivated Pagan of the Empire, who should have journeyed in Time as well as Space.] |
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