rhyme for "Cadiz," and the singer completed the stanza by throwing an
arch and rather insinuating glance at the young man who was lounging
negligently on the chair beside her own. She herself leaned back rather
negligently too, with her feet crossed; her elbows were crooked at
varying angles, her fingers pressed imaginary frets or plucked at
imaginary strings, and the spectator was supposed to be viewing an
Andalusian grace and passion abandoned to the soft yet compelling power
of music.

It was thus that Truesdale Marshall was welcomed home by his aunt Lydia.

His aunt Lydia--Mrs. Lydia Rhodes--was a plump and vivacious little
brunette of forty, with a gloss on her black hair and a sparkle in her
black eyes. She still retained a good deal of the superabundant vitality
of youth; in her own house, when the curtains were down and the company
not too miscellaneous, she was sometimes equal to a break-down or a
cake-walk. She was impelled by social aspirations of the highest nature,
and was always lamenting, therefore, that she possessed so little
dignity. She was a warm-hearted, impulsive creature, who believed
in living while on earth, and she was willing enough to believe that
others would live too, so far as opportunity offered. It seemed to
Truesdale, just now, as if she might be engaged in a mental review of his
probable experiences abroad--there, certainly, was an opportunity
offered.

"But now that you are back again we expect you to settle down and be
good--a useful member of society, you know." She threw a coquettish smile
on the young man and banished the imaginary guitar.

"Oh, really--" began Truesdale, with a flush and a frown. He glanced over