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Lyrical Ballads, with Other Poems, 1800, Volume 1 by William Wordsworth
page 13 of 152 (08%)
obvious that except in the rhyme, and in the use of the single word
"fruitless" for fruitlessly, which is so far a defect, the language
of these lines does in no respect differ from that of prose.

Is there then, it will be asked, no essential difference between the
language of prose and metrical composition? I answer that there
neither is nor can be any essential difference. We are fond of
tracing the resemblance between Poetry and Painting, and, accordingly,
we call them Sisters: but where shall we find bonds of connection
sufficiently strict to typify the affinity betwixt metrical and
prose composition? They both speak by and to the same organs; the
bodies in which both of them are clothed may be said to be of the
same substance, their affections are kindred and almost identical,
not necessarily differing even in degree; Poetry [2] sheds no tears
"such as Angels weep," but natural and human tears; she can boast of
no celestial Ichor that distinguishes her vital juices from those of
prose; the same human blood circulates through the veins of them both.

[Footnote 2: I here use the word "Poetry" (though against my own
judgment) as opposed to the word Prose, and synonomous with metrical
composition. But much confusion has been introduced into criticism
by this contradistinction of Poetry and Prose, instead of the more
philosophical one of Poetry and Science. The only strict antithesis
to Prose is Metre.]


If it be affirmed that rhyme and metrical arrangement of themselves
constitute a distinction which overturns what I have been saying on
the strict affinity of metrical language with that of prose, and
paves the way for other distinctions which the mind voluntarily
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