all beings." Conceiving of nature as strictly limited to matter and
motion, both of which have always existed, he flatly denies that there
is any such thing as spirit or a supernatural. Mythology began, Holbach
claims, when men were still in a state of nature and at the point when
wise, strong, and for the most part benign men were arising as leaders
and lawgivers. These leaders "formed discourses by which they spoke to
the imaginations of their willing auditors," using the medium of poetry,
because it "seem[ed] best adapted to strike the mind." Through poetry,
then, and by means of "its images, its fictions, its numbers, its rhyme,
its harmony... the entire of nature, as well as all its parts, was
personified, by its beautiful allegories." Thus mythology is given an
essentially political origin. These early poets are literally
legislators of mankind. "The first institutors of nations, and their
immediate successors in authority, only spoke to the people by fables,
allegories, enigmas, of which they reserved to themselves the right of
giving an explanation." Holbach is rather condescending about the
process, but since mythology is a representation of nature itself, he is
far more tolerant of mythology than he is of the next step. "Natural
philosophers and poets were transformed by leisure into metaphysicians
and theologians," and at this point a fatal error was introduced: the
theologians made a distinction between the power of nature and nature
itself, separated the two, made the power of nature prior to nature, and
called it God. Thus man was left with an abstract and chimerical being
on one side and a despoiled inert nature, destitute of power, on the
other. In Holbach's critique the point at which theology split off from
mythology marks the moment of nature's alienation from itself and paves
the way for man's alienation from nature.

Holbach is thus significant for Romantic interest in myth in two ways.
First, he provides a clear statement of what can be loosely called the