Counter-Attack and Other Poems by Siegfried Sassoon
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page 4 of 48 (08%)
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knuckles harden and he clutches at his knees or at the
edge of the table. And all the while he will be breathing hard like a man who has swum a distance. When he reads his poems he chants and one would think that he communed with himself save that, at the pauses, he shoots a powerful glance at the listener. Between the poems he is still but moves his lips... He likes best to speak of hunting (he will shout of it!), of open air mornings when the gorse alone flames brighter than the sky, of country quiet, of his mother, [Footnote: His father was a well-to-do country gentleman of Anglo-Jewish stock, his mother an English woman, a Miss Thornycroft, sister of the sculptor of that name.] of poetry--usually Shelley, Masefield and Thomas Hardy--and last and chiefly--but always with a rapid, tumbling enunciation and a much-irked desperate air filled with pain--of soldiers. For the incubus of war is on him so that his days are shot with anguish and his nights with horror. He is twenty-eight years old; was educated at Marlborough and Christchurch, Oxford; was a master of fox-hounds and is a captain in the Royal Welsh Fusiliers. Thrice he has fought in France and once in Palestine. Behind his name are set the letters M.C. since he has won the Military Cross for an act of valour which went near to securing him a higher honour. |
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