and that her singing treble rather than bass was purely a matter of
accident at first. All analogy teaches me that if she had begun on
bass, and the other part had been given to man, we should be hearing
today of Ma'lle Patti, "the charming new baritone," and "the
magnificent basso," Madame Jenny Lind Goldschmidt, while admiring
crowds would toss flowers to Carl Formes, "the unapproachable
soprano," or Mario, "the king of contraltos."

I suppose that those who maintain that woman has no natural organs
and aptitudes for singing bass, would say that she has no natural
organs and aptitudes for boxing and playing at ball. Just because
woman holds her fists the wrong side up, as if she were kneading
bread rather than flesh, it is claimed that she was not made for
the "manly art of self-defence," and from the wholly incompetent
facts that she cannot throw a ball three feet against a common
north-west wind, and is not as fleet as a deer, it is judged that
she has no right to engage in base-ball. But suppose all women had
been accustomed to boxing and playing ball as much as the men have
been; would they not have arrived at corresponding excellence? I
know that as women are now (and they please me exceedingly) they
have not muscle to "hit from the shoulder" with force sufficient
to make them formidable antagonists; and I am aware that they lack
something in the length of limb requisite for the rapid locomotion
of the ball-ground; but they have never had a chance. See what
the washerwomen have done for themselves. They seem to be a
separate race of beings, for they all have large arms, and
shoulders that would do honor to Tom Sayers. I have seen negro
slave women at work in the field, with a muscular development that
would be the envy of a Bowery boy. The washerwoman and the field
slave show what can be done by cultivation. I know that their