went, indeed, through those years of his life on tiptoe, as it were,
for a fight. He had a light and springing carriage of the head, enough
to set his forelock nodding; his eye roved like a sea-bird's; his lips
often parted company, for his breath was eager. He had a trick of
laughing to himself softly as he went about his business; or else he
sang, as he was now singing. These qualities, little habits,
affectations, whatever you choose to call them, sound immaterial, but
they really point to the one thing that made him remarkable--the
curious blend of opposites in him. He blent benevolence with savagery,
reflectiveness with activity. He could think best when thought and act
might jump together, laugh most quietly when the din of swords and
horses drowned the voice, love his neighbour most sincerely when about
to cut his throat. The smell of blood, the sight of wounds, or the
flicker of blades, made him drunk; but he was one of those who grow
steady in their cups. You might count upon him at a pinch. Lastly, he
was no fool, and was disposed to credit other people with a balance of
wit.

He disliked frippery, yet withal made a brave show in the sun. His
plain black mail was covered with a surcoat of white and green linen;
over this a narrow baldrick of red bore in gold stitches his device of
a hooded falcon, and his legend on a scroll, many times repeated and
intercrossed--_I bide my time_. In his helmet were three red
feathers, on his shield the blazon of his house of Gai--_On a field
sable, a fesse dancettee or_, with a mullet for difference. He
carried no spear; for a man of his light build the sword was the arm.
Thus then, within and without, was Messire Prosper le Gai, youngest
son of old Baron Jocelyn, deceased, riding into the heart of the noon,
pleased with himself and the world, light-minded, singing of the
movement and the road.