very melancholy and quiet, and sang no more funny songs, because nobody
cared to hear her. And then, as she grew older, she was made a little
lady's-maid to the Princess; and though she had no wages, she worked
and mended, and put Angelica's hair in papers, and was never cross when
scolded, and was always eager to please her mistress, and was always
up early and to bed late, and at hand when wanted, and in fact became
a perfect little maid. So the two girls grew up, and, when the Princess
came out, Betsinda was never tired of waiting on her; and made her
dresses better than the best milliner, and was useful in a hundred ways.
Whilst the Princess was having her masters, Betsinda would sit and watch
them; and in this way she picked up a great deal of learn ing; for she
was always awake, though her mistress was not, and listened to the wise
professors when Angelica was yawning or thinking of the next ball. And
when the dancing-master came, Betsinda learned along with Angelica;
and when the music-master came, she watched him, and practiced the
Princess's pieces when Angelica was away at balls and parties; and when
the drawing-master came, she took note of all he said and did; and the
same with French, Italian, and all other languages--she learned them
from the teacher who came to Angelica. When the Princess was going out
of an evening she would say, 'My good Betsinda, you may as well finish
what I have begun.' 'Yes, miss,' Betsinda would say, and sit down very
cheerful, not to FINISH what Angelica began, but to DO it.

For instance, the Princess would begin a head of a warrior, let us say,
and when it was begun it was something like this--

But when it was done, the warrior was like this--

(only handsomer still if possible), and the Princess put her name to the
drawing; and the Court and King and Queen, and above all poor Giglio,