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The Golden Calf by M. E. (Mary Elizabeth) Braddon
page 15 of 594 (02%)
Mauleverer furniture at a valuation when she bought the old house; and
the Mauleverer furniture being of a _rococo_ and exploded style, the
valuation had been ridiculously low. Thus it happened that a big wainscot
wardrobe, with doors substantial enough for a church, projected its
enormous bulk upon one side of the butterfly-room, while a tall narrow
cheval glass stood in front of a window. That cheval was the glory of the
butterfly-room. The girls could see how their skirts hung, and if the
backs of their dresses fitted. On Sunday mornings there used to be an
incursion of outsiders, eager to test the effect of their Sabbath
bonnets, and the sets of their jackets, by the cheval.

And now Ida Palliser came into the butterfly-room, yawning wearily, to
brush herself up a little before tea, knowing that Miss Pew and her
younger sister, Miss Dulcibella--who devoted herself to dress and the
amenities of life generally--would scrutinize her with eyes only too
ready to see anything amiss.

The butterfly-room was not empty. Miss Rylance was plaiting her long
flaxen hair in front of the toilet table, and another girl, a plump
little sixteen-year-old, with nut-brown hair, and a fresh complexion, was
advancing and retiring before the cheval, studying the effect of a
cherry-coloured neck-ribbon with a gray gown.

'Cherry's a lovely colour in the abstract,' said this damsel, 'but it
reminds one too dreadfully of barmaids.'

'Did you ever see a barmaid?' asked Miss Rylance, languidly, slowly
winding the long flaxen plait into a shining knob at the back of her
head, and contemplating her reflection placidly with large calm blue eyes
which saw no fault in the face they belonged to.
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