The Golden Calf by M. E. (Mary Elizabeth) Braddon
page 38 of 594 (06%)
page 38 of 594 (06%)
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'She moves like a lady.'
'She has been thoroughly drilled,' sneered Urania. 'The original savage in her has been tamed as much as possible.' 'I should like to know more of that girl,' said Dr. Rylance, 'for she looks as if she has force of character. I'm sorry you and she are not better friends.' Ida seated herself at the piano and began to play, without honouring the assembly with one glance from her dark eyes. She sat looking straight before her, like one whose thoughts are far away. She played by memory, and at first her hands faltered a little as they touched the keys, as if she hardly knew what she was going to play. Then she recollected herself in a flash, and began the firm, slow, legato movement with the touch of a master hand, the melody rising and falling in solemn waves of sound, like the long, slow roll of a calm sea. The 'Moonlight Sonata' is a composition of some length. Badly, or even indifferently performed, the 'Moonlight Sonata' is a trial; but no one grew weary of it to-day, though the strong young hands which gave emphasis to the profound beauties of that wonderful work were only the hands of a girl. Those among the listeners who knew least about music, knew that this was good playing; those who cared not at all for the playing were pleased to sit and watch the mobile face of the player as she wove her web of melody, her expression changing with every change in the music, but unmoved by a thought of the spectators. Presently, just as the sonata drew to its close, an auburn head was thrust between Dr. Rylance and his daughter, and a girl's voice |
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