expression of modern culture was all weariness. She would rather have
been racing those wild young Wendovers down the slippery hill-side, on
which they were perilling their necks; she would rather have been lying
beside the lake in Kingthorpe Park, reading her well-thumbed Tennyson, or
her shabby little Keats.

Her thoughts had wandered ever so far away when she was called back to
the work-a-day world by finding that Dr. Rylance's conversation had
suddenly slipped from archaeology into a more personal tone.

'Are you really going away to-morrow?' he asked.

'Yes,' answered Ida, sadly, looking at one of the last of the
butterflies, whose brief summertide of existence was wearing to its
close, like her own.

'You are going back to Mauleverer Manor?'

'Yes. I have another half-year of bondage, I am going back to drudgery
and self-contempt, to be brow-beaten by Miss Pew, and looked down upon by
most of her pupils. The girls in my own class are very fond of me, but
I'm afraid their fondness is half pity. The grown-up girls with happy
homes and rich fathers despise me. I hardly wonder at it. Genteel poverty
certainly is contemptible. There is nothing debasing in a smock-frock or
a fustian jacket. The labourers I see about Kingthorpe have a glorious
air of independence, and I daresay are as proud, in their way, as if they
were dukes. But shabby finery--genteel gowns worn threadbare: there is a
deep degradation in those.'

'Not for you,' answered Dr. Rylance, earnestly, with an admiring look in