The Public Orations of Demosthenes, volume 1 by Demosthenes
page 19 of 220 (08%)
page 19 of 220 (08%)
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wholly free from faults. His contemporaries, as well as later Greek critics,
were conscious of a certain artificiality in his eloquence. It was, indeed, the general custom of Athenian orators to prepare their speeches with great care: the speakers who, like Aeschines and Demades, were able to produce a great effect without preparation, and the rhetoricians who, like Alcidamas, thought of the studied oration as but a poor imitation of true eloquence, were only a small minority; and in general, not only was the arrangement of topics carefully planned, but the greatest attention was paid to the sound and rhythm of the sentences, and to the appropriateness and order of the words. The orator had also his collections of passages on themes which were likely to recur constantly, and of arguments on either side of many questions; and from these he selected such passages as he required, and adapted them to his particular purpose. The rhetorical teachers appear to have supplied their pupils with such collections; we find a number of instances of the repetition of the same passage in different speeches, and an abundance of arguments formed exactly on the model of the precepts contained in rhetorical handbooks.[10] Yet with all this art nothing was more necessary than that a speech should appear to be spontaneous and innocent of guile. There was a general mistrust of the 'clever speaker', who by study or rhetorical training had learned the art of arguing to any point, and making the worse cause appear the better. To have studied his part too carefully--even to have worked up illustrations from history and poetry--might expose the orator to suspicion.[11] Demosthenes, in spite of his frequent attempts to deprecate such suspicion, did not succeed wholly in keeping on the safe side. Aeschines describes him as a wizard and a sophist, who enjoyed deceiving the people or the jury. Another of his opponents levelled at him the taunt that his speeches 'smelt of the lamp'. Dionysius of Halicarnassus, one of the best of the ancient critics, says that the artificiality of Demosthenes and his master Isaeus was apt to excite suspicion, even when they had a good case. Nor can a modern reader altogether escape the same impression. Sometimes, especially in the earlier speeches to the Assembly, the argument seems unreal, |
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