assert to be the famous Florentine of the Renaissance, Poggio
Bracciolini, in favour of which view I have tried to make out a
case by bringing forward a variety of passages from the "History"
and the "Annals" to show an extensive series of contradictions as
to facts and characters, departures from truth about matters
connected with ancient Roman life, laches in grammar and use of
words that never could have proceeded from any patrician or
plebian of the world-renowned old Commonwealth, with a number of
other things that will readily strike the intelligent and sober
mind as utterly inconsistent with the existing belief of the
"Annals" being the production of Tacitus. All this is case in the
shade for the fullest light to be thrown on the subject, when not
wishing to make my theory a matter of speculation but founded in
common sense, I give a detailed history of the forgery, from its
conception to its completion, the sum that was paid for it, the
abbey where it was transcribed, and other such convincing minutiae
taken from a correspondence that Poggio carried on with a familiar
friend who resided in Florence.

A reader of acumen and critical faculty following a writer in an
inquiry of this nature places himself in the position of a lawyer
who will not accept the interpretation of an Act of Parliament, or
even a clause in it, as correct, except,--as his phrase goes,--it
"runs upon all fours:" he knows that it is with a speculation in a
literary matter as with a chapter of a statute: he struggles to
raise only a single valid objection against what is advanced: if
successful he at one destroys the whole of the theory, from thus
exposing it to view as not "running upon all fours;" the fabric
is, in fact, discovered to be reared on a false foundation; it
must, therefore, fall as at the slightest breath a child's house