The Gray Dawn by Stewart Edward White
page 26 of 468 (05%)
page 26 of 468 (05%)
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desperadoes; long-haired men from the trapping countries; hard-fisted,
sardonic state of Maine men fresh from their rivers; and Indian fighters from the Western Reserve; grasping, shrewd commercial Yankees; fire-eating Southern politicians; lawyers, doctors, merchants, chiefs, and thiefs, the well-educated and the ignorant, the high-minded and the scalawags, all dumped down together on a sand hill to work out their destinies; a city whose precedents, whose morals, whose laws, were made or adapted on the spot; where might in some form or another--revolver, money, influence--made its only right; whose history ranged in three years the gamut of human passion, strife, and development; whose background was the fabled El Dorado whence the gold in unending floods poured through its sluices. To the outside world tales of these things had come. They did not lose in the journey. The vast loom of actual occurrences rose above the horizon like mirages. Names and events borrowed a half-legendary quality from distances, as elsewhere from time. Keith had heard of Coleman, of Terry, of Broderick, Brannan, Gwin, Geary, as he had heard of the worthies of ancient history; he had visualized the fabled splendours of San Francisco's great gambling houses, of the excitements of her fervid, fevered life, as he might have visualized the magnificences of pagan Rome; he had listened to tales of her street brawls, her vast projects, the buccaneering raids of her big men, her Vigilance Committee of the year before, as he would have listened to the stories of one of Napoleon's veterans. Now, by the simple process of a voyage that had seemed literally interminable but now was past, he had landed in the very midst of fable. It was like dying, he told Sherwood eagerly, like going irretrievably to a new planet. All his old world now seemed as remote, as insubstantial, as phantomlike, as this had seemed. "Even yet I can't believe it's all so," he cried, walking excitedly back and forth, and waving an extinct cigar. "I've got to see it, touch it! Why, I know it all in advance. That must be where the Jenny Lind Theatre stood-- |
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