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The Three Cities Trilogy: Paris, Volume 1 by Émile Zola
page 21 of 138 (15%)
Then, in an adjoining lodging, came the poignant spectacle of three
beings, half clad in shreds, apparently sexless and ageless, who, amidst
the dire bareness of their room, were gluttonously eating from the same
earthen pan some pottage which even dogs would have refused. They barely
raised their heads to growl, and did not answer Pierre's questions.

He was about to go down again, when right atop of the stairs, at the
entry of a passage, it occurred to him to make a last try by knocking at
the door. It was opened by a woman whose uncombed hair was already
getting grey, though she could not be more than forty; while her pale
lips, and dim eyes set in a yellow countenance, expressed utter
lassitude, the shrinking, the constant dread of one whom wretchedness has
pitilessly assailed. The sight of Pierre's cassock disturbed her, and she
stammered anxiously: "Come in, come in, Monsieur l'Abbe."

However, a man whom Pierre had not at first seen--a workman also of some
forty years, tall, thin and bald, with scanty moustache and beard of a
washed-out reddish hue--made an angry gesture--a threat as it were--to
turn the priest out of doors. But he calmed himself, sat down near a
rickety table and pretended to turn his back. And as there was also a
child present--a fair-haired girl, eleven or twelve years old, with a
long and gentle face and that intelligent and somewhat aged expression
which great misery imparts to children--he called her to him, and held
her between his knees, doubtless to keep her away from the man in the
cassock.

Pierre--whose heart was oppressed by his reception, and who realised the
utter destitution of this family by the sight of the bare, fireless room,
and the distressed mournfulness of its three inmates--decided all the
same to repeat his question: "Madame, do you know an old workman named
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