The two men had glanced at the priest and then looked at one another,
each with terrible mien. And they suddenly ceased speaking in the bitter
cold which fell from the ceiling. Then, again with infinite precaution,
Salvat went to take his tool-bag from alongside the wall.

"So you are going down, you are again going to look for work?" asked
Madame Theodore.

He did not answer, but merely made an angry gesture, as if to say that he
would no longer have anything to do with work since work for so long a
time had not cared to have anything to do with him.

"All the same," resumed the woman, "try to bring something back with you,
for you know there's nothing. At what time will you be back?"

With another gesture he seemed to answer that he would come back when he
could, perhaps never. And tears rising, despite all his efforts, to his
vague, blue, glowing eyes he caught hold of his daughter Celine, kissed
her violently, distractedly, and then went off, with his bag under his
arm, followed by his young companion.

"Celine," resumed Madame Theodore, "give Monsieur l'Abbe your pencil,
and, see, monsieur, seat yourself here, it will be better for writing."

Then, when Pierre had installed himself at the table, on the chair
previously occupied by Salvat, she went on talking, seeking to excuse her
man for his scanty politeness: "He hasn't a bad heart, but he's had so
many worries in life that he has become a bit cracked. It's like that
young man whom you just saw here, Monsieur Victor Mathis. There's another