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The Three Cities Trilogy: Paris, Volume 1 by Émile Zola
page 33 of 138 (23%)
a small blue and silver drawing-room, a study whose walls were hung with
old stamped leather, and a dining-room in pale green with English
furniture, not to mention the various bedchambers and dressing-rooms.
Built in the time of Louis XIV. the mansion retained an aspect of noble
grandeur, subordinated to the epicurean tastes of the triumphant
/bourgeoisie/, which for a century now had reigned by virtue of the
omnipotence of money.

Noon had not yet struck, and Baron Duvillard, contrary to custom, found
himself the first in the little blue and silver /salon/. He was a man of
sixty, tall and sturdy, with a large nose, full cheeks, broad, fleshy
lips, and wolfish teeth, which had remained very fine. He had, however,
become bald at an early age, and dyed the little hair that was left him.
Moreover, since his beard had turned white, he had kept his face
clean-shaven. His grey eyes bespoke his audacity, and in his laugh there
was a ring of conquest, while the whole of his face expressed the fact
that this conquest was his own, that he wielded the sovereignty of an
unscrupulous master, who used and abused the power stolen and retained by
his caste.

He took a few steps, and then halted in front of a basket of wonderful
orchids near the window. On the mantel-piece and table tufts of violets
sent forth their perfume, and in the warm, deep silence which seemed to
fall from the hangings, the Baron sat down and stretched himself in one
of the large armchairs, upholstered in blue satin striped with silver. He
had taken a newspaper from his pocket, and began to re-peruse an article
it contained, whilst all around him the entire mansion proclaimed his
immense fortune, his sovereign power, the whole history of the century
which had made him the master. His grandfather, Jerome Duvillard, son of
a petty advocate of Poitou, had come to Paris as a notary's clerk in
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