some obstacle across her mother's path, she could not, dared not, carry
matters any further. In vain had she attempted to implore Gerard with her
eyes. He was standing to take his leave, and turned away his eyes.
Pierre, who had become acquainted with many things since he had
frequented the house, noticed how all three of them quivered, and divined
thereby the mute and terrible drama.

At this moment, however, Hyacinthe, stretched in an armchair, and
munching an ether capsule, the only liqueur in which he indulged, raised
his voice: "For my part, you know, I'm going to the Exposition du Lis.
All Paris is swarming there. There's one painting in particular, 'The
Rape of a Soul,' which it's absolutely necessary for one to have seen."

"Well, but I don't refuse to drive you there," resumed the Baroness.
"Before going to the Princess's we can look in at that exhibition."

"That's it, that's it," hastily exclaimed Camille, who, though she
harshly derided the symbolist painters as a rule, now doubtless desired
to delay her mother. Then, forcing herself to smile, she asked: "Won't
you risk a look-in at the Exposition du Lis with us, Monsieur Gerard?"

"Well, no," replied the Count, "I want to walk. I shall go with Monsieur
l'Abbe Froment to the Chamber."

Thereupon he took leave of mother and daughter, kissing the hand of each
in turn. It had just occurred to him that to while away his time he also
might call for a moment at Silviane's, where, like the others, he had his
/entrees/. On reaching the cold and solemn courtyard he said to the
priest, "Ah! it does one good to breathe a little cool air. They keep
their rooms too hot, and all those flowers, too, give one the headache."