The Three Cities Trilogy: Paris, Volume 3 by Émile Zola
page 40 of 137 (29%)
page 40 of 137 (29%)
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"Pauline," in which Silviane wished to make her /debut/ at the Comedie
Francaise. This extraordinary caprice, which had quite revolted the influential critic a week previously, now seemed to him simply a bold enterprise in which the young woman might even prove victorious if she consented to listen to his advice. And, once started, he delivered quite a lecture on the past, asserting that no actress had ever yet understood it properly, for at the outset Pauline was simply a well-meaning little creature of the middle classes, and the beauty of her conversion at the finish arose from the working of a miracle, a stroke of heavenly grace which endowed her with something divine. This was not the opinion of Silviane, who from the first lines regarded Pauline as the ideal heroine of some symbolical legend. However, as the critic talked on and on, she had to feign approval; and he was delighted at finding her so beautiful and docile beneath his ferule. At last, as ten o'clock was striking, he rose and tore out of the hot and reeking room in order to do his work. "Ah! my dears," cried Silviane, "he's a nice bore is that critic of yours! What a fool he is with his idea of Pauline being a little /bourgeoise/! I would have given him a fine dressing if it weren't for the fact that I have some need of him. Ah! no, it's too idiotic! Pour me out a glass of champagne. I want something to set me right after all that!" The /fete/ then took quite an intimate turn between the four men who remained and that bare-armed, bare-breasted girl, covered with diamonds; while from the neighbouring passages and rooms came bursts of laughter and sounds of kissing, all the stir and mirth of the debauchery now filling the house. And beneath the windows torrents of vehicles and pedestrians streamed along the Boulevards where reigned the wild fever of pleasure and harlotry. |
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