The Three Cities Trilogy: Paris, Volume 4 by Émile Zola
page 11 of 129 (08%)
page 11 of 129 (08%)
|
after her father's death, he had refused to let her run about giving
lessons. To provide herself with a little money, for she would accept none as a gift, she worked at embroidery, an art in which she was most accomplished. While she was talking to the young men Guillaume had listened to her without interfering. If he had fallen in love with her it was largely on account of her frankness and uprightness, the even balance of her nature, which gave her so forcible a charm. She knew all; but if she lacked the poetry of the shrinking, lamb-like girl who has been brought up in ignorance, she had gained absolute rectitude of heart and mind, exempt from all hypocrisy, all secret perversity such as is stimulated by what may seem mysterious in life. And whatever she might know, she had retained such child-like purity that in spite of her six-and-twenty summers all the blood in her veins would occasionally rush to her cheeks in fiery blushes, which drove her to despair. "My dear Marie," Guillaume now exclaimed, "you know very well that the youngsters were simply joking. You are in the right, of course. . . . And your boiled eggs cannot be matched in the whole world." He said this in so soft and affectionate a tone that the young woman flushed purple. Then, becoming conscious of it, she coloured yet more deeply, and as the three young men glanced at her maliciously she grew angry with herself. "Isn't it ridiculous, Monsieur l'Abbe," she said, turning towards Pierre, "for an old maid like myself to blush in that fashion? People might think that I had committed a crime. It's simply to make me blush, you know, that those children tease me. I do all I can to prevent it, but it's stronger than my will." |
|