and perhaps engraving too. But what drawing can portray the mystery which
lies beyond life, the only sphere that has any real existence and
importance for us? With what pencil and on what kind of plate could one
depict it? We should need something impalpable, something unheard of,
which would merely suggest the essence of things and beings."

"But it's only by material means," Antoine somewhat roughly replied,
"that art can render the essence of things and beings, that is, their
full significance as we understand it. To transcribe life is my great
passion; and briefly life is the only mystery that there is in things and
beings. When it seems to me that an engraving of mine lives, I'm well
pleased, for I feel that I have created."

Hyacinthe pouted by way of expressing his contempt of all fruitfulness.
Any fool might beget offspring. It was the sexless idea, existing by
itself, that was rare and exquisite. He tried to explain this, but became
confused, and fell back on the conviction which he had brought back from
Norway, that literature and art were done for in France, killed by
baseness and excess of production.

"It's evident!" said Francois gaily by way of conclusion. "To do nothing
already shows that one has some talent!"

Meantime, Pierre and Marie listened and gazed around them, somewhat
embarrassed by this strange visit which had set the usually grave and
peaceful workroom topsy-turvy. The little Princess, though, evinced much
amiability, and on drawing near to Marie admired the wonderful delicacy
of some embroidery she was finishing. Before leaving, moreover, Rosemonde
insisted upon Guillaume inscribing his autograph in an album which
Hyacinthe had to fetch from her carriage. The young man obeyed her with