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The Three Cities Trilogy: Paris, Volume 5 by Émile Zola
page 14 of 142 (09%)
certain famous /guillotines/ had died. Among these was one with respect
to whom they all agreed, and of whom they spoke as of a great captain, a
hero whose marvellous courage was deserving of immortality. Then, as one
passed along, one caught snatches of horrible phrases, particulars about
the instrument of death, ignoble boasts, and filthy jests reeking with
blood. And over and above all else there was bestial fever, a lust for
death which made this multitude delirious, an eagerness to see life flow
forth fresh and ruddy beneath the knife, so that as it coursed over the
soil they might dip their feet in it. As this execution was not an
ordinary one, however, there were yet spectators of another kind; silent
men with glowing eyes who came and went all alone, and who were plainly
thrilled by their faith, intoxicated with the contagious madness which
incites one to vengeance or martyrdom.

Guillaume was just thinking of Victor Mathis, when he fancied that he saw
him standing in the front row of sightseers whom the guards held in
check. It was indeed he, with his thin, beardless, pale, drawn face.
Short as he was, he had to raise himself on tiptoes in order to see
anything. Near him was a big, red-haired girl who gesticulated; but for
his part he never stirred or spoke. He was waiting motionless, gazing
yonder with the round, ardent, fixed eyes of a night-bird, seeking to
penetrate the darkness. At last a guard pushed him back in a somewhat
brutal way; but he soon returned to his previous position, ever patient
though full of hatred against the executioners, wishing indeed to see all
he could in order to increase his hate.

Then Massot approached the brothers. This time, on seeing Pierre without
his cassock, he did not even make a sign of astonishment, but gaily
remarked: "So you felt curious to see this affair, Monsieur Froment?"

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