through the doorway. "And you may come, Hyacinthe," she added; "there can
be no objection to you."

Silviane was very hot, and a dresser was wiping her perspiring shoulders
when Rosemonde darted forward and kissed her. Then they chatted together
amidst the heat and glare from the gas and the intoxicating perfumes of
all the flowers which were heaped up in the little room. Finally,
Hyacinthe heard them promise to see one another after the performance,
Silviane even inviting Rosemonde to drink a cup of tea with her at her
house. At this the young man smiled complacently, and said to the
actress: "Your carriage is waiting for you at the corner of the Rue
Montpensier, is it not? Well, I'll take the Princess to it. That will be
the simpler plan, you can both go off together!"

"Oh! how good of you," cried Rosemonde; "it's agreed."

Just then the door was opened, and the men, being admitted, began to pour
forth their congratulations. However, they had to regain their seats in
all haste so as to witness the fifth act. This proved quite a triumph,
the whole house bursting into applause when Silviane spoke the famous
line, "I see, I know, I believe, I am undeceived," with the rapturous
enthusiasm of a holy martyr ascending to heaven. Nothing could have been
more soul-like, it was said. And so when the performers were called
before the curtain, Paris bestowed an ovation on that virgin of the
stage, who, as Sagnier put it, knew so well how to act depravity at home.

Accompanied by Duthil, Duvillard at once went behind the scenes in order
to fetch Silviane, while Hyacinthe escorted Rosemonde to the brougham
waiting at the corner of the Rue Montpensier. Having helped her into it,
the young man stood by, waiting. And he seemed to grow quite merry when