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Bride of the Mistletoe by James Lane Allen
page 13 of 121 (10%)
true to life. Or truer yet, he might have taken his place with the
grave group of students in the Lesson in Anatomy left by Rembrandt.

Once he put down his pen, wheeled his chair about, and began to read
the page he had just finished: then you saw him. He had a big,
masculine, solid-cut, self-respecting, normal-looking, executive
head--covered with thick yellowish hair clipped short; so that while
everything else in his appearance indicated that he was in the prime
of manhood, the clipped hair caused him to appear still more youthful;
and it invested him with a rustic atmosphere which went along very
naturally with the sentimental country hat and the all-weather
shoes. He seemed at first impression a magnificent animal frankly
loved of the sun--perhaps too warmly. The sun itself seemed to have
colored for him his beard and mustache--a characteristic hue of men's
hair and beard in this land peopled from Old English stock. The beard,
like the hair, was cut short, as though his idea might have been to
get both hair and beard out of life's daily way; but his mustache
curled thickly down over his mouth, hiding it. In the whole effect
there was a suggestion of the Continent, perhaps of a former student
career in Germany, memories of which may still have lasted with him
and the marks of which may have purposely been kept up in his
appearance.

But such a fashion of beard, while covering a man's face, does much to
uncover the man. As he sat amid his papers and books, your thought
surely led again to old pictures where earnest heads bend together
over some point on the human road, at which knowledge widens and
suffering begins to be made more bearable and death more
kind. Perforce now you interpreted him and fixed his general working
category: that he was absorbed in work meant to be serviceable to
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