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Bride of the Mistletoe by James Lane Allen
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foam--the Father of Waters. Along the edge for a space she bound a
bright river to the rim of silver. And where the eastern part rises
loftiest on the horizon, turned away from the reddening daybreak, she
piled shaggy mountains wooded with trees that loose their leaves ere
snowflakes fly and with steadfast evergreens which hold to theirs
through the gladdening and the saddening year. Then crosswise over the
middle of the Shield, northward and southward upon the breadth of it,
covering the life-born rock of many thicknesses, she drew a tough skin
of verdure--a broad strip of hide of the ever growing grass. She
embossed noble forests on this greensward and under the forests drew
clear waters.

This she did in a time of which we know nothing--uncharted ages before
man had emerged from the deeps of ocean with eyes to wonder, thoughts
to wander, heart to love, and spirit to pray. Many a scene the same
power has wrought out upon the surface of the Shield since she brought
him forth and set him there: many an old one, many a new. She has made
it sometimes a Shield of war, sometimes a Shield of peace. Nor has
she yet finished with its destinies as she has not yet finished with
anything in the universe. While therefore she continues her will and
pleasure elsewhere throughout creation, she does not forget the
Shield.

She likes sometimes to set upon it scenes which admonish man how
little his lot has changed since Hephaistos wrought like scenes upon
the shield of Achilles, and Thetis of the silver feet sprang like a
falcon from snowy Olympus bearing the glittering piece of armor to her
angered son.

These are some of the scenes that were wrought on the shield of
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