The Slave of the Lamp by Henry Seton Merriman
page 66 of 314 (21%)
page 66 of 314 (21%)
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Christian Vellacott lay upon his bed in unwonted idleness, gazing vaguely at the flying clouds. The window was open, and the song of the distant sea rose and fell with a rhythm full of peace. But in this man's mind there was no peace. In all probability there never would be complete peace there, because Ambition had set its hold upon him. He wanted to do more than there was time for. Like many of us, he began by thinking that Life is longer than it is. Its whole length is in those "long, long thoughts" of Youth. When those are left behind, we settle down to work, and the rest of the story is nothing but labour. Vellacott resented this engagement because he felt that Hilda Carew had stepped out of that picture which formed what was probably destined to be the happiest time of his life--his Youth. For the unhappiness of Youth is preferable to the resignation of Age. He felt that she had willingly resigned something which he would on no account have given up. Above all, he felt that it was a mistake. This was, of course, at the bottom of it. He probably felt that it was a pity. We usually feel so on hearing that a pretty and charming girl is engaged to be married. We think that she might have done so much better for herself, and we grow pensive or possibly sentimental over her lost opportunity when contemplating him in the mirror as he shaves. Like all so-called happy events, an engagement is not usually a matter of universal rejoicing. Some one is, in all probability, left to think twice about it. But Christian Vellacott was not prepared to admit that he was in that position. He was naturally of an observant habit--his father had been one of the keenest-sighted men of his day--and he had graduated at the subtlest school in the world. He unwittingly fell to studying his fellow-men whenever the opportunity presented itself, and the result of |
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