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The Slave of the Lamp by Henry Seton Merriman
page 9 of 314 (02%)
criticism that the _denouement_ in "The Sowers" was re-written as
it now stands, the scene of the attack on the Castle being at first
wholly different.

The jealousy and bitterness which are supposed to be inseparable from
the literary life certainly never affected Merriman's. He had no trace
of such feelings in his nature. Of one who is known to the public
exclusively through his writings, it may seem strange--but it is not the
less true--to say that his natural bent was not to the life of a
literary man, but to a life of action, and that it was fate, rather than
inclination, which made him express himself in words instead of deeds. A
writer's books are generally his best biography: the "strong, quiet
man," whose forte was to do much and say nothing; who, like Marcos
Sarrion, loved the free and plain life of the field and the open, was a
natural hero for Merriman, "as finding there unconsciously some image of
himself."

To any other biography he was strongly opposed. His dislike of the
advertisement and the self-advertisement of the interview and the
personal paragraph deepened with time. He held strongly and
consistently, as he held all his opinions, that a writer should be known
to the public by his books, and by his books only. One of his last
expressed wishes was that there should be no record of his private life.

It is respect for that wish which here stays the present writers' pen.

E.F.S.
S.G.T.
_July_ 1909.

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