The Slave of the Lamp by Henry Seton Merriman
page 9 of 314 (02%)
page 9 of 314 (02%)
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criticism that the _denouement_ in "The Sowers" was re-written as
it now stands, the scene of the attack on the Castle being at first wholly different. The jealousy and bitterness which are supposed to be inseparable from the literary life certainly never affected Merriman's. He had no trace of such feelings in his nature. Of one who is known to the public exclusively through his writings, it may seem strange--but it is not the less true--to say that his natural bent was not to the life of a literary man, but to a life of action, and that it was fate, rather than inclination, which made him express himself in words instead of deeds. A writer's books are generally his best biography: the "strong, quiet man," whose forte was to do much and say nothing; who, like Marcos Sarrion, loved the free and plain life of the field and the open, was a natural hero for Merriman, "as finding there unconsciously some image of himself." To any other biography he was strongly opposed. His dislike of the advertisement and the self-advertisement of the interview and the personal paragraph deepened with time. He held strongly and consistently, as he held all his opinions, that a writer should be known to the public by his books, and by his books only. One of his last expressed wishes was that there should be no record of his private life. It is respect for that wish which here stays the present writers' pen. E.F.S. S.G.T. _July_ 1909. |
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