Buds and Bird Voices (From "Mosses from an Old Manse") by Nathaniel Hawthorne
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page 3 of 11 (27%)
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autumn when vegetation has entirely ceased; there is now a faint
shadow of life, gradually brightening into the warm reality. Some tracts in a happy exposure,--as, for instance, yonder southwestern slope of an orchard, in front of that old red farm-house beyond the river,--such patches of land already wear a beautiful and tender green, to which no future luxuriance can add a charm. It looks unreal; a prophecy, a hope, a transitory effect of sonic peculiar light, which will vanish with the slightest motion of the eye. But beauty is never a delusion; not these verdant tracts, but the dark and barren landscape all around them, is a shadow and a dream. Each moment wins seine portion of the earth from death to life; a sudden gleam of verdure brightens along the sunny slope of a bank which an instant ago was brown and bare. You look again, and behold an apparition of green grass! The trees in our orchard and elsewhere are as yet naked, but already appear full of life and vegetable blood. It seems as if by one magic touch they might instantaneously burst into full foliage, and that the wind which now sighs through their naked branches might make sudden music amid innumerable leaves. The mossgrown willow- tree which for forty years past has overshadowed these western windows will be among the first to put on its green attire. There are some objections to the willow; it is not a dry and cleanly tree, and impresses the beholder with an association of sliminess. No trees, I think, are perfectly agreeable as companions unless they have glossy leaves, dry bark, and a firm and hard texture of trunk and branches. But the willow is almost the earliest to gladden us with the promise and reality of beauty in its graceful and delicate foliage, and the last to scatter its yellow yet scarcely withered leaves upon the ground. All through the winter, too, its yellow |
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