Passages from a Relinquised Work (From "Mosses from an Old Manse") by Nathaniel Hawthorne
page 18 of 19 (94%)
page 18 of 19 (94%)
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From pit and boxes there was now a universal call for the Story-
Teller. That celebrated personage came not when they did call to him. As I left the stage, the landlord, being also the postmaster, had given me a letter with the postmark of my native village, and directed to my assumed name in the stiff old handwriting of Parson Thumpcushion. Doubtless he had heard of the rising renown of the Story-Teller, and conjectured at once that such a nondescript luminary could be no other than his lost ward. His epistle, though I never read it, affected me most painfully. I seemed to see the Puritanic figure of my guardian standing among the fripperies of the theatre and pointing to the players,--the fantastic and effeminate men, the painted women, the giddy girl in boy's clothes, merrier than modest,--pointing to these with solemn ridicule, and eying me with stern rebuke. His image was a type of the austere duty, and they of the vanities of life. I hastened with the letter to my chamber and held it unopened in my hand, while the applause of my buffoonery yet sounded through the theatre. Another train of thought came over me. The stern old man appeared again, but now with the gentleness of sorrow, softening his authority with love as a father might, and even bending his venerable head, as if to say that my errors had an apology in his own mistaken discipline. I strode twice across the chamber, then held the letter in the flame of the candle, and beheld it consume unread. It is fixed in my mind, and was so at the time, that he had addressed me in a style of paternal wisdom, and love, and reconciliation which I could not have resisted had I but risked the trial. The thought still haunts me that then I made my irrevocable |
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