distinct species differing from intuition in general by something
_more_."

[Sidenote] _No specific difference._

But no one has ever been able to indicate of what this something more
consists. It has sometimes been thought that art is not a simple
intuition, but an intuition of an intuition, in the same way as the
concept of science has been defined, not as the ordinary concept, but as
the concept of a concept. Thus man should attain to art, by
objectifying, not his sensations, as happens with ordinary intuition,
but intuition itself. But this process of raising to a second power does
not exist; and the comparison of it with the ordinary and scientific
concept does not imply what is wished, for the good reason that it is
not true that the scientific concept is the concept of a concept. If
this comparison imply anything, it implies just the opposite. The
ordinary concept, if it be really a concept and not a simple
representation, is a perfect concept, however poor and limited. Science
substitutes concepts for representations; it adds and substitutes other
concepts larger and more comprehensive for those that are poor and
limited. It is ever discovering new relations. But its method does not
differ from that by which is formed the smallest universal in the brain
of the humblest of men. What is generally called art, by antonomasia,
collects intuitions that are wider and more complex than those which we
generally experience, but these intuitions are always of sensations and
impressions.

Art is the expression of impressions, not the expression of expressions.

[Sidenote] _No difference of intensity._