temple of gold; and in this splendid chamber one may hazard no smaller
stake than half a napoleon. There are women here; but not so many women
as in the outer saloon; and the women here are younger and prettier and
more carefully dressed than those who stake only silver.

The prettiest and the youngest woman in this golden chamber on one
particular August afternoon, nine years after the death of Tom
Halliday, was a girl who stood behind the chair of a military-looking
Englishman, an old man whose handsome face was a little disfigured by
those traces which late hours and dissipated habits are supposed to
leave behind them.

The girl held a card in one hand and a pin in the other, and was
occupied in some mysterious process, by which she kept note of the
Englishman's play. She was very young, with a delicate face, in whose
softer lines there was a refined likeness to the features of the man
whose play she watched. But while his eyes were hard and cold and gray,
hers were of that dense black in which there seems such an unfathomable
and mysterious depth. As she was the handsomest, so she was also the
worst-dressed woman in the room. Her flimsy silk mantle had faded from
black to rusty brown; the straw hat which shaded her face was sunburnt;
the ribbons had lost their brightness; but there was an air of
attempted fashion in the puffings and trimmings of her alpaca skirt;
and there was evidence of a struggle with poverty in the tight-fitting
lavender gloves, whose streaky lines bore witness to the imperfection
of the cleaner's art. Elegant Parisians and the select of Brussels
glanced at the military Englishman and his handsome daughter with some
slight touch of supercilious surprise--one has no right to find
shabbily-dressed young women in the golden temple--and it is scarcely
necessary to state that it was from her own countrywomen the young