"Is it?" asked he, with but a mild appearance of interest. "Want me to
go to the door?"

"Go to the door!" echoed Amelia, so stridently that he looked up at her
again. "No; I don't want anybody should go to the door till this room's
cleared up. If 't w'an't so ever-lastin' cold, I'd take him right into
the clock-room, an' blaze a fire; but he'd see right through that. You
gether up them tools an' things, an' I'll help carry out the bench."

If Enoch had not just then been absorbed in a delicate combination of
brass, he might have spoken more sympathetically. As it was, he seemed
kindly, but remote.

"Look out!" said he, "you'll joggle. No, I guess I won't move. If he's
any kind of a man, he'll know what 'tis to clean a clock."

Amelia was not a crying woman, but the hot tears stood in her eyes. She
was experiencing, for the first time, that helpless pang born from the
wounding of pride in what we love.

"Don't you see, Enoch?" she insisted. "This room looks like the Old
Boy--an' so do you--an' he'll go home an' tell all the folks at the
Ridge. Why, he's heard we're married, an' come over here to spy out the
land. He hates the cold. He never stirs till 'way on into June; an' now
he's come to find out."

"Find out what?" inquired Enoch absorbedly. "Well, if you're anyways
put to 't, you send him to me." That manly utterance enunciated from a
"best-room" sofa, by an Enoch clad in his Sunday suit, would have