The Forest by Stewart Edward White
page 15 of 186 (08%)
page 15 of 186 (08%)
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through the forests, or up the hills, or over the plains, or by
invisible water paths; whether you will accomplish it on horseback, or in canoe, or by the transportation of your own two legs; whether your companions shall be white or red, or merely the voices of the wilds--these things matter not a particle. In the symbol of this little town you loose your hold on the world of made things, and shift for yourself among the unchanging conditions of nature. Here the faint forest flavour, the subtle, invisible breath of freedom, stirs faintly across men's conventions. The ordinary affairs of life savour of this tang--a trace of wildness in the domesticated berry. In the dress of the inhabitants is a dash of colour, a carelessness of port; in the manner of their greeting is the clear, steady-eyed taciturnity of the silent places; through the web of their gray talk of ways and means and men's simpler beliefs runs a thread of colour. One hears strange, suggestive words and phrases--arapajo, capote, arroyo, the diamond hitch, cache, butte, coule, muskegs, portage, and a dozen others coined into the tender of daily use. And occasionally, when the expectation is least alert, one encounters suddenly the very symbol of the wilderness itself--a dust-whitened cowboy, an Indian packer with his straight, fillet-confined hair, a voyageur gay in red sash and ornamented moccasins, one of the Company's canoemen, hollow-cheeked from the river--no costumed show exhibit, but fitting naturally into the scene, bringing something of the open space with him--so that in your imagination the little town gradually takes on the colour of mystery which an older community utterly lacks. But perhaps the strongest of the influences which unite to assure the psychological kinships of the jumping-off places is that of the Aromatic Shop. It is usually a board affair, with a broad high sidewalk |
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