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The Forest by Stewart Edward White
page 15 of 186 (08%)
through the forests, or up the hills, or over the plains, or by
invisible water paths; whether you will accomplish it on horseback, or
in canoe, or by the transportation of your own two legs; whether your
companions shall be white or red, or merely the voices of the
wilds--these things matter not a particle. In the symbol of this little
town you loose your hold on the world of made things, and shift for
yourself among the unchanging conditions of nature.

Here the faint forest flavour, the subtle, invisible breath of freedom,
stirs faintly across men's conventions. The ordinary affairs of life
savour of this tang--a trace of wildness in the domesticated berry. In
the dress of the inhabitants is a dash of colour, a carelessness of
port; in the manner of their greeting is the clear, steady-eyed
taciturnity of the silent places; through the web of their gray talk of
ways and means and men's simpler beliefs runs a thread of colour. One
hears strange, suggestive words and phrases--arapajo, capote, arroyo,
the diamond hitch, cache, butte, coule, muskegs, portage, and a dozen
others coined into the tender of daily use. And occasionally, when the
expectation is least alert, one encounters suddenly the very symbol of
the wilderness itself--a dust-whitened cowboy, an Indian packer with
his straight, fillet-confined hair, a voyageur gay in red sash and
ornamented moccasins, one of the Company's canoemen, hollow-cheeked
from the river--no costumed show exhibit, but fitting naturally into
the scene, bringing something of the open space with him--so that in
your imagination the little town gradually takes on the colour of
mystery which an older community utterly lacks.

But perhaps the strongest of the influences which unite to assure the
psychological kinships of the jumping-off places is that of the
Aromatic Shop. It is usually a board affair, with a broad high sidewalk
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