themselves according to their own will. Still, however, finding her
imagination, and yet more that of her husband, troublesome, she effects
a marvellous combination of materialism and idealism, and asserts that
things are not, cannot be, and shall not be more or other than people
choose to think them. She says,--

"These deeds must not be thought
After these ways; so, it will make us mad."

"The sleeping and the dead
Are but as pictures."

But she had over-estimated the power of her will, and under-estimated
that of her imagination. Her will was the one thing in her that was bad,
without root or support in the universe, while her imagination was the
voice of God himself out of her own unknown being. The choice of no man
or woman can long determine how or what he or she shall think of things.
Lady Macbeth's imagination would not be repressed beyond its appointed
period--a time determined by laws of her being over which she had no
control. It arose, at length, as from the dead, overshadowing her with
all the blackness of her crime. The woman who drank strong drink that
she might murder, dared not sleep without a light by her bed; rose and
walked in the night, a sleepless spirit in a sleeping body, rubbing the
spotted hand of her dreams, which, often as water had cleared it of the
deed, yet smelt so in her sleeping nostrils, that all the perfumes of
Arabia would not sweeten it. Thus her long down-trodden imagination rose
and took vengeance, even through those senses which she had thought to
subordinate to her wicked will.

But all this is of the imagination itself, and fitter, therefore, for